SFX by Ex Libris Inc.

1.	Spadoni, R. Uncanny Bodies : The Coming of Sound Film and the Origins of the Horror Genre. UNCANNY BODIES: THE COMING OF SOUND FILM AND THE ORIGINS OF THE HORROR GENRE. : University of California Press, 2007.: 1-191.
2.	Cooke, M. A history of film music. A history of film music / Mervyn Cooke.
3.	van Leeuwen, T. The critical analysis of musical discourse. Critical discourse studies 8 .2 (2011): 151-151.
4.	Goldmark, D. The fantastical gap between diegetic and nondiegetic. BEYOND THE SOUNDTRACK: REPRESENTING MUSIC IN CINEMA. , 2007.
5.	MacDonald, Scott, 1942-, S. The city as the country: the New York City symphony from Rudy Burckhardt to Spike Lee. Film quarterly 51.2 (1997): 2-20.
6.	Hubbert, Julia s. Celluloid symphonies: Texts and contexts in film music history. Celluloid Symphonies : Texts and Contexts in Film Music History. , 2011.
7.	Kalinak, K. Settling the score: music and the classical Hollywood film.
8.	Brown, R. Overtones and undertones. , 1994.
9.	HOLMAN, T. SOUND FOR FILM AND TELEVISION. , 2010.
10.	Rose, J. Producing great sound for film and video: expert tips from preporduction to final mix. , 2015.

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