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2.	RUTLEDGE, STEVEN H. ANCIENT ROME AS A MUSEUM: POWER, IDENTITY, AND THE CULTURE OF COLLECTING. : Oxford University Press, 2012.
3.	Pike, David L. The Comic Aspects of the Strongman-Hero in Greek Myth. Acta classica 23.1 (1980): 37-44.
4.	Sachs, J. Romantic Antiquity. , 2010.
5.	Cheeke, S. “What So Many Have Told, Who Would Tell Again?”: Romanticism and the Commonplaces of Rome. European Romantic Review 17.5 (2006): 521-541.
6.	St Clair, W. ‘The Damage is Obvious and Cannot be Exaggerated’. : Oxford University Press,, 1998.: 281-313.
7.	Cheeke, S. Romantic Hellenism, sculpture and Rome. Word & image 25.1 (2009): 1-10.
8.	Vout, C. Laocoon's Children and the Limits of Representation. Art history 33.3 (2010): 396-419.
9.	Mavrogenes, Nancy A. Recent Versions of Greek Myths. The classical journal 78.3 (1983): 249-255.
10.	Watt, Carey A. Cultural Exchange, Appropriation and Physical Culture: Strongman Eugen Sandow in Colonial India, 1904–1905. The International journal of the history of sport. 33.16: 1921-1942.

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Romans and Romantics [0-19-958854-6] Saunders, Timothy