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1.	Bordwell, D. Post-theory : reconstructing film studies. Post-theory : , 1996.
2.	Sørensen, Tonje H. Dansk film under nazismen. Historical journal of film radio and television 35.1 (2015): 208-210.
3.	Grodal, Torben K. Kognitiv medieanalyse. Mediekultur 10.22 (1994): 15-27.
4.	Kovács, András B. SCREENING MODERNISM: EUROPEAN ART CINEMA, 1950-1980. : University of Chicago Press, 2007.
5.	Bordwell, D. Poetics of Cinema. POETICS OF CINEMA. : Taylor and Francis, 2008.: 1-500.
6.	Buckland, W. Puzzle Films: Complex Storytelling in Contemporary Cinema. Puzzle films : complex storytelling in contemporary cinema / edited by Warren Buckland.
7.	Cossar, H. âWait, how did I miss that?:â Understanding the âtwistâ in Fritz Lang'sThe Woman in the Window. Quarterly review of film and video 26.1 (2008): 10-19.
8.	DeRoo, Rebecca J. Unhappily Ever After: Visual Irony and Feminist Strategy in Agnès Varda's "Le Bonheur". Studies in French Cinema 8.3 (2008): 189-209.
9.	Wedel, M. Backbeat and Overlap : Time, Place, and Character Subjectivity in Run Lola Run. , 2009.
10.	Kozloff, S. Invisible Storytellers: Voice-Over Narration in American Fiction Film. , 1989.

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