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1.	Aston, E. Small Island People: Black British Women Playwrights. The Cambridge Companion to Modern British Women Playwrights. : Cambridge University Press,, 2007.
2.	Swidler, M. Caryl Churchill's Top Girls: defining and reclaiming feminism in Thatcher's Britain. New England theatre journal 10 (1999): 89-110.
3.	Bazin, V. "[NOT] TALKING 'BOUT MY GENERATION": HISTORICIZING FEMINISMS IN CARYL CHURCHILL'S TOP GIRLS. Studies in the literary imagination 39.2 (2006): 115-134.
4.	Sacks, P. The Cambridge Companion to Brecht. CAMBRIDGE COMPANION TO BRECHT. , 2006.
5.	Amich, C. Bringing the Global Home: The Commitment of Caryl Churchill's The Skriker. Modern drama 50.3 (2007): 394-413.
6.	Thomson, P. 'The Good Person of Szechwan': Discourse of a Masquerade. The Cambridge companion to Brecht. : Cambridge University Press, 1994.
7.	Eckard, Paula Gallant. G. Maternal Body and Voice in Toni Morrison, Bobbie Ann Mason and Lee Smith. , 2002.
8.	Djundjung, Jenny M. FEMINIST PERSPECTIVE OF CROSS-GENDER POWER RELATION IN CARYL CHURCHILL'S TOP GIRLS. Kata 4.2 (2002): 160-178.
9.	Yardley, R. Franz Kafka (1883-1983). , 1986.
10.	Cameron,, Rebecca, R. From Great Women to Top Girls: Pageants of Sisterhood in British Feminist Theater. Comparative Drama 43.2 (2009): 143-166.

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Cambridge Companion to Caryl Churchill [0-521-49322-6; 1-139-80098-1] Aston, Elaine