SFX by Ex Libris Inc.

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2.	Goodwin, C. Right back in the saddle; Report.(Features). Sunday Times (London, England) (2003): 4-.
3.	Covey, William B. PÃ¨res Fatales: Character and Style in Postmodern Neo-Noir. Quarterly review of film and video 28.1 (2010): 41-52.
4.	House, R. Night of the soul: American film noir. Studies in American culture 9.1 (1986): 61-83.
5.	Nelson, John S., John S. Horror Films Face Political Evils in Everyday Life. Political communication 22.3 (2005): 381-386.
6.	Berger, D. Illuminated Darkness: Exiles and Émigrés in the Golden Age of Hollywood. Jewish culture and history 17.1-2 (2016): 81-93.
7.	Telotte, J. Rounding up the usual suspects. Film quarterly 51.4 (1998): 12-20.
8.	Husband, C. Representing ‘Race’: Racisms, Ethnicities and Media. Representing Race: Racisms, Ethnicities and Media. : SAGE Publications, 2005.: 1-241.
9.	Hantke, S. My Baby Ate the Dingo: The Visual Construction of the Monstrous Infant in Horror Film. Literature, interpretation, theory 22.2 (2011): 96-112.
10.	Tudor, Andrew, A. Why Horror? The Peculiar Pleasures of a Popular Genre. Cultural studies 11.3 (1997): 443-463.

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More than Night: Film Noir in Its Contexts, Updated and Expanded Edition [0-520-25402-3; 1-282-35939-8] Naremore, James