SFX by Ex Libris Inc.

1.	Brennecke, E. 'Nay, That's Not Next!': The Significance of Desdemona's 'Willow Song'. Shakespeare quarterly 4.1 (1953): 35-38.
2.	Marx, Peter W. Purcell, Stephen. Popular Shakespeare: simulation and subversion on the modern stage. Theatre research international 38.2: 164-.
3.	Laoutaris, C. Shakespearean Maternities. Shakespearean Maternities: Crises of Conception in Early Modern England. : Edinburgh University Press,, 2008.
4.	Cutts, J. A Reconsideration of the Willow Song. Journal of the American Musicological Society 10.1 (1957): 14-24.
5.	Toliver, B. Grieving in the mirrors of Verdi's Willow Song: Desdemona, Barbara and a ‘feeble, strange voice’. Cambridge opera journal 10.3 (1998): 289-305.
6.	Massey, John B. Unsettling Cities: Movement/Settlement. : Routledge,.
7.	Seng, P. The Earliest Known Music for Desdemona's 'Willow Song'. Shakespeare quarterly 9.3 (1958): 419-20.
8.	Ranald, M. The Indiscretions of Desdemona. Shakespeare quarterly 14.2 (1963): 127-139.
9.	Schleiner, W. Early Modern Controversies about the One-Sex Model. Renaissance quarterly 53.1 (2000): 180-191.
10.	Biggins, D. Sexuality, Witchcraft, and Violence in Macbeth. Shakespeare studies 8 (1976): 255-77.

Visa fler…

Visa färre…

Shakespeare And Elizabethan Popular Culture : Arden Critical Companion [1-904271-68-5; 1-4081-4363-1] Gillespie Stuart, Stuart