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1.	Bordwell, D. Film Futures. Sub-stance 31.1 (2002): 88-104.
2.	Bordwell, D. Intensified Continuity: Visual Style in Contemporary American Film. Film quarterly 55.3 (2002): 16-28.
3.	Naremore, J. More than night: film noir in its contexts. , 2008.
4.	Tryon, C. Reinventing cinema. , 2009.
5.	Brown, Royal S S. Overtones and undertones.
6.	Zillmann, D. Mechanisms of emotional involvement with drama. Poetics 23.1-2 (1995): 33-52.
7.	Jenkins, H. Convergence Culture: Where Old and New Media Collide. Convergence culture. , 2008.
8.	Branigan, E. Nearly True: Forking Plots, Forking Interpretations: A Response to David Bordwell's "Film Futures". Sub-stance 31.97 (2002): 105-114.
9.	Simons, J. Complex narratives. New Review of Film and Television Studies 6.2 (2008): 111-126.
10.	Whissel, K. Tales of Upward Mobility: The New Verticality and Digital Special Effects. Film quarterly 59.4 (2006): 23-34.

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The Way Hollywood Tells It: Story and Style in Modern Movies [0-520-24622-5; 1-4237-5549-9] Bordwell, David