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2.	Freedman, M. Milton and Dryden on Rhyme. The Huntington Library Quarterly 24.4 (1961): 337-344.
3.	Diekhoff, J. Rhyme in Paradise Lost. Publications of the Modern Language Association of America 49.2 (1934): 539-43.
4.	Keleher, S. âThis bastard graff shall never come to growthâ: Conception and Consent in ShakespeareâsLucrece. Shakespeare Quarterly 72.1-2 (2022): 79-103.
5.	Continuation of the Criticism on the Tragedy of All for Love, or The World well lost. The Weekly register, or, Universal journal .264 (1735): 1163-.
6.	Oras, A. Milton's Early Rhyme Schemes and the Structure of Lycidas. Modern philology 52.1 (1954): 12-22.
7.	Pivetti, K. Coupling Past and Future: Dryden's Rhymes as History. Modern philology 109.1 (2011): 85-107.
8.	Dobson, M. The Making of the National Poet. , 1992.: 1-276.
9.	NEUSS, P. IMAGES OF WRITING AND THE BOOK IN CHAUCER POETRY. The Review of English studies 32.128 (1981): 385-397.
10.	Trofimova, Violetta, V. French Influence on English Culture in the Second Part of the Seventeenth Century: Aphra Behn as a Cretive Translator and a Mediator between the Two Cultures. Cultura, lenguaje y representación 4 (2007): 241-251.

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The Works of John Dryden, Vol. 12: Plays; Amboyna; The State of Innocence; Aureng-Zebe [0-520-08247-8; 0-520-91364-7] Dearing, Vinton