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1.	Moore, Allan F. Song means : analysing and interpreting recorded popular song : Ashgate Popular and Folk Music Series. , 2012.: 1-395.
2.	Cope, Andrew L. Black Sabbath and the Rise of Heavy Metal Music. : Routledge,.: 1-172.
3.	Hartmann, N. Gerald W. Creed, Masquerade and Postsocialism: Ritual and Cultural Dispossession in Bulgaria. Ethnologies 33.2 (2011): 243-.
4.	Tragaki, D. Empire of Song : Europe and Nation in the Eurovision Song Contest. , 2013.
5.	Macan, E. Rocking the Classics : English Progressive Rock and the Counterculture. : Oxford University Press, 1997.: 1-304.
6.	Bayer, G. Ashgate Popular and Folk Music Series. Heavy metal music in Britain : Ashgate Popular and Folk Music Series. , 2009.: 17-31.
7.	Moore Allan F., A. Analyzing Popular Music. Analyzing Popular Music. : Cambridge University Press,, 2003.: 1-270.
8.	Manning, P. Electronic and computer music. Electronic and Computer Music. : Oxford University Press, 2004.: 1-488.
9.	Walser, R. Running With the Devil : Power, Gender, and Madness in Heavy Metal Music {Music/culture}. , 1993.
10.	Masquerade and Postsocialism: Ritual and Cultural Dispossession in Bulgaria (Book Review). Slavic review 71.1 (2012): 135-137.

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Empire of Song : Europe and Nation in the Eurovision Song Contest. : Europea: Ethnomusicologies & Modernities [0-8108-8699-5] Tragaki, Dafni