SFX by Ex Libris Inc.

1.	Strauven Wanda, W. The cinema of attractions reloaded. , 2006.
2.	Lowenstein, A. The Surrealism of the Photographic Image: Bazin, Barthes, and the Digital Sweet Hereafter. Cinema journal 46.3 (2007): 54-82.
3.	Wasson, H. Museum Movies : The Museum of Modern Art and the Birth of Art Cinema. , 2005.
4.	Uricchio, W. AN IMAGE EMPIRE REMEMBERED: UFA BETWEEN MEMORY AND HISTORY. Historical journal of film, radio, and television 13.2 (1993): 229-235.
5.	Lopez, I. Film, Freud, and Paranoia: Dali and the Representation of Male Desire in An Andalusian Dog. Diacritics 31.2 (2003): 35-48.
6.	Rattray, J. Analyzing Surrealist Madness Through the Poetry of Salvador Dalí. Comparative critical studies 5.2-3 (2008): 207-220.
7.	SLAP, J. Sigmund Freud and Salvador Dalí: Personal Moments. American imago 40.4 (1983): 337-347.
8.	Lewis, S. What Is Spectacle? The Journal of popular film and television 42.4 (2014): 214-221.
9.	Zielinski, S. Audiovisions : cinema and television as entr'actes in history. Audiovisions : cinema and television as entr'actes in history : Film culture in transition. , 1999.
10.	Rabaté, Jean-Michel M. Loving Freud Madly: Surrealism between Hysterical and Paranoid Modernism. Journal of modern literature 25.3 (2002): 58-74.

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Moving Forward, Looking Back: The European Avant-garde and the Invention of Film Culture, 1919-1939 [90-5356-960-X; 90-485-0167-9] Hagener, Malte