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1.	Woldu, Gail H. The kaleidoscope of writing on hip-hop culture. Notes 67.1 (2010): 9-38.
2.	Lloyd, R. UNAUTHORIZED DIGITAL SAMPLING IN THE CHANGING MUSIC LANDSCAPE. Journal of Intellectual Property Law 22.1 (2014): 143-176.
3.	Brett, T. Beyond the Dance Floor: Female DJs, Technology and Electronic Dance Music Culture. Popular music and society 37.4 (2013): 1-3.
4.	Maccallum, Robert M. Evolution of music by public choice. Proceedings of the National Academy of Sciences of the United States of America 109.30 (2012): 12081-6.
5.	Gerwin, T. Music for Humans: International Computer Music Conference 2000 "Gateways to Creativity". Computer music journal 25.2 (2001): 64-68.
6.	Honing, H. Cognition and the evolution of music: Pitfalls and prospects. Topics in Cognitive Science 4.4 (2012): 513-524.
7.	Evitt, A. Indigenous Hip-hop: overcoming marginality, encountering constraints. Australian Geographer 41.1 (2010): 141-158.
8.	McDermott, J. The evolution of music. Nature 453.7193 (2008): 287-288.
9.	The music industry--and the hip-hop community in particular--was sent into shock and mourning last week following the tragic slaying of pioneering DJ Jam Master Jay aka Jason Mizell of Run DMC. (News). Music Week (2002): 3-.
10.	Rebollo-Gil, G. Black Women and Black Men in Hip Hop Music: Misogyny, Violence and the Negotiation of (White-Owned) Space. Journal of popular culture 45.1 (2012): 118-132.

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Sound Unbound: Sampling Digital Music and Culture [0-262-63363-9; 0-262-26646-6] Miller, Paul D.