SFX by Ex Libris Inc.

1.	Tredell, N. Jean-François Lyotard. PN review 25.1 (1998): 7-.
2.	Kis, J. Philosophy in the times of late modernity. Thesis eleven 126.1 (2015): 7-18.
3.	Paakspuu, K. Re-Reading the Portrait and the Archive’s Social Memory. Canadian review of American studies 46.3: 311-338.
4.	Leiris, M. L’Afrique fantôme. Konteksty .03-04 (2007): 92-104.
5.	Tackabury, Pamela A. The Rocky Mountains by Patricia Trenton and Peter H. Hassrick, and: Masters of Western Art by Mary Carroll Nelson, and: The Vanishing Race and Other Illusions: Photographs of Indians by Edward S. Curtis by Christopher M. Lyman, and: <. Western American Literature 20.1 (1985): 51-54.
6.	HAND, S. Phantom of the Opus: colonialist traces in Michel Leiris'sL'Afrique fantÃ´me. Paragraph 18.2 (1995): 174-193.
7.	Quayle, A. Community arts as public pedagogy: disruptions into public memory through Aboriginal counter-storytelling. International journal of inclusive education 20.3 (2015): 1-17.
8.	Mahajan, C. Beyond the archives: doing oral history in contemporary India. Studies in History 27.2 (2011): 281-281.
9.	Memou, A. Globalisation and the Art Photography of Joel Sternfeld. Photographies 5.1 (2012): 3-18.
10.	Turner, B. Modernity and Self-Identity, Self and Society in the Late Modern Age. The British journal of sociology 43.1 (1992): 141-142.

Visa fler…

Visa färre…

Counter-Archive: Film, the Everyday, and Albert Kahn's Archives de la Planète [0-231-13501-7; 0-231-50907-3] Amad, Paula