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1.	Parsons, Elaine F. INTRODUCTION TO FORUM ON BAZ LUHRMANN'S THE GREAT GATSBY IN THE CONTEXT OF THE GILDED AGE AND PROGRESSIVE ERA. Journal of the gilded age and progressive era 14.1 (2015): 119-120.
2.	Bohanon, C. Capitalism and Commerce in Imaginative Literature: Perspectives on Business from Novels and Plays. The independent review. 22.2: 306-309.
3.	Westall, C. Cricket and the world-system, or continuity, âriskless riskâ and cyclicality in Joseph OâNeillâsNetherland. Journal of postcolonial writing 52.3 (2016): 287-300.
4.	Polan, D. The 'Great American Novel' as Pop-up Book: Baz Luhrmann's The Great Gatsby. Adaptation 6.3 (2013): 397-399.
5.	Chibnall, S. If You Build It, She Will Come: An Appreciation of Baz Luhrmann's The Great Gatsby (2013). Adaptation 7.1 (2014): 94-97.
6.	MacLowry, S. THE EXCESS OF BAZ LUHRMANN: TEACHING THE GREAT GATSBY IN THE HIGH SCHOOL CLASSROOM. Journal of the gilded age and progressive era 14.1 (2015): 127-131.
7.	Langkjaer, B. The films of Baz Luhrmann. Kosmorama .227-28 (2001): 185-189.
8.	Risky business in Mohsin Hamid’s The Reluctant Fundamentalist and Joseph O’Neill’s Netherland. The Journal of Commonwealth literature 57.3: 2198942091594-705.
9.	Van Der Ziel, S. Beneath the Surface: The Subterranean Modernism of Joseph O'Neill'sNetherland. Critique : Studies in Contemporary Fiction 56.2 (2015): 207-222.
10.	Duvall, John N. Cricket Field of Dreams: Queer Racial Identifications in Joseph O'Neill'sNetherland. Critique 55.4 (2014): 341-357.

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American Icon: Fitzgerald's 'The Great Gatsby' in Critical and Cultural Context [1-57113-371-2; 1-283-25677-0] Beuka, Robert