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1.	Richardson, M. Edmonia Lewis at McGrawville: the early education of a nineteenth-century black woman artist. Nineteenth-century contexts 22.2 (2000): 239-256.
2.	Buick, Kirsten P. P. THE IDEAL WORKS OF EDMONIA LEWIS: INVOKING AND INVERTING AUTOBIOGRAPHY. American art 9.2 (1995): 4-19.
3.	Willis, D. TRANSLATING BLACK POWER AND BEAUTY--CARRIE MAE WEEMS. Callaloo 35.4 (2012): 992-995.
4.	AFRICAN-AMERICAN ACHIEVERS in recognition of Black History Month Edmonia Lewis. Advocate (2008): 3-.
5.	Couse. The arrow maker [art reproduction]. The Magazine Antiques 155.3 (1999): 364-364.
6.	Richardson, Marilyn, M. Edmonia Lewis The death of Cleopatra: myth and identity. The International review of African American art 12.2: 36-52.
7.	Blodgett, G. JOHN MERCER LANGSTON AND THE CASE OF EDMONIA LEWIS: OBERLIN, 1862. The journal of Negro history 53.3 (1968): 201-218.
8.	Raymond, C. The Crucible of Witnessing: Projects of Identity in Carrie Mae Weems’s From Here I Saw What Happened and I Cried. Meridians 13.1 (2015): 26-52.
9.	Stephens, C. Womanism and Black Feminism in the Work of Carrie Mae Weems. Journal of Arts and Humanities 5.4 (2016): 1-9.
10.	Lost and Found: The Strange Case of the Resurrection of Edmonia Lewis' 'The Death of Cleopatra'. The journal of blacks in higher education .13 (1996): 32-33.

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Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject [0-8223-4247-2; 1-283-06525-8] Buick, Kirsten