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1.	Nazar, H. Facing Ethics: Narrative and Recognition from George Eliot to Judith Butler. Nineteenth-century contexts 33.5 (2011): 437-450.
2.	Civello, Catherine A. The Ironies of Widowhood: Displacement of Marriage in the Fiction of George Eliot. Nineteenth-Century gender studies 3.3 (2007).
3.	Kane, M. The Uncanny Mother in Vernon Lee's 'Prince Alberic and the Snake Lady'. Victorian review 32.1 (2006): 41-62.
4.	Kropp, C. Valences of Desire: The Suspended Eroticism of Middlemarch. Victorian network 4.2 (2012): 107-121.
5.	Johnstone, Peggy F. Transformation of Rage : Mourning and Creativity in George Eliot's Fiction. : New York University Press,, 1994.
6.	Dowling, A. `The other side of silence': Matrimonial conflict and the Divorce Court in George Eliot's fiction. Nineteenth-century literature 50.3: 322-336.
7.	Nazar, H. Philosophy in the Bedroom: Middlemarch and the Scandal of Sympathy. The Yale journal of criticism 15.2: 293-314.
8.	Nestor, P. Leaving Home: George Eliot and Romola. Women's writing 10.2 (2003): 329-342.
9.	Haskin, D. George Eliot as a 'Miltonist': Marriage and Milton in Middlemarch. , 2004.: 207-222.
10.	Buckler, S. Political Theory and Political Ethics in the Work of Hannah Arendt. Contemporary Political Theory 6.4 (2007): 461-483.

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George Eliot and the Gothic Novel: Genres, Gender, Feeling [0-7083-2576-9; 0-7083-2577-7] Mahawatte, Royce