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1.	Hyslop, G. Deviant and Dangerous Behavior: Women in Melodrama. Journal of popular culture 19.3 (1985): 65-77.
2.	Ross, S. The Americanization of Tsuru Aoki: Orientalism, Melodrama, Star Image, and the New Woman. Camera obscura 20.60 (2005): 129-157.
3.	Lockwood, D. MELODRAMA. The Yale review 96.3 (2008): 100-100.
4.	Fink, J. Pictures from the Margins of Marriage: Representations of Spinsters and Single Mothers in the mid-Victorian Novel, Inter-war Hollywood Melodrama and British Film of the 1950 s and 1960 s. Gender & history 11.2 (1999): 233-255.
5.	Shin, M. South Korean Golden Age Melodrama: Gender, Genre, and National Cinema by Kathleen McHugh and Nancy Abelmann. Detroit: Wayne State University Press, 2005. Quarterly Review of Film and Video 25.2 (2008): 152-156.
6.	Pacheco, A. Rape and the Female Subject in Aphra Behn's The Rover. ELH 65.2 (1998): 323-345.
7.	Diamond, E. Gestus and signature in Aphra Behn's The rover. ELH 56.3 (1989): 519-541.
8.	Szilagyi, S. The sexual politics of Behn's 'Rover': after patriarchy. Studies in philology 95.4 (1998): 435-455.
9.	Carlson, S. Cannibalizing and Carnivalizing: Reviving Aphra Behn's" The Rover". Theatre journal 47.4 (1995): 517-539.
10.	Beach, Adam R. R. Carnival Politics, Generous Satire, and Nationalist Spectacle in Behn's The Rover. Eighteenth century life 28.3 (2004): 1-19.

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