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1.	Branch, A. All the young dudes : educational capital, masculinity and the uses of popular music. Popular music 31.1 (2012): 25-44.
2.	Holubec, S. A conservative convergence? The differences and similarities of the conservative right in the Czech Republic and Poland. Contemporary Politics 16.2 (2010): 189-207.
3.	Minkenberg, M. Power and Architecture: The Construction of Capitals and the Politics of Space Space and Place 12. Power and Architecture : The Construction of Capitals and the Politics of Space. : 1-305.
4.	Wyer, M. Women, Science, and Technology : A Reader in Feminist Science Studies (3rd Edition). , 2013.
5.	Eckersall, P. Towards an Expanded Dramaturgical Practice: A Report on ‘The Dramaturgy and Cultural Intervention Project’. Theatre research international 31.03 (2006): 283-297.
6.	Laver, M. Gender, genius and rock and roll in 'Roy Orbison and Friends: A Black and White Night'. Popular music 30.3 (2011): 433-453.
7.	Skelton, S. Performing Glam Rock: Gender and Theatricality in Popular Music. Journal of popular culture 39.6: 1109-1111.
8.	Bartrand, Michael T. Elvis Presley and the Politics of Popular Memory. Southern cultures 13.3 (2007): 62-86.
9.	McLeod, K. Space oddities: aliens, futurism and meaning in popular music. Popular music 22.3 (2003): 337-355.
10.	Żuk, P. Inequalities, Social Exclusion and Radical Political Struggle – Some Historical and Social Thoughts on the Interwar Period in Poland (1918–1939). European history quarterly. 47.3: 509-517.

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Queer Dramaturgies [1-137-41183-X; 1-137-41184-8] Campbell, Alyson