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1.	Woodward, Kathleen M. Babies in Bottles: Twentieth-Century Visions of Reproductive Technology (review). Modern fiction studies 42.1 (1996): 227-230.
2.	Guyer, P. Aesthetics between the wars: art and liberation. : Cambridge University Press,, 2003.: 721-736.
3.	Armstrong, G. Cultural politics and the Irish theatre: Samuel Beckett and the new biology. Theatre research international 18.3 (1993): 215-221.
4.	Spector, D. Distinguishing the multiverse from an echo: Quantum Mechanics and. Samuel Beckett today/aujourd'hui 20.1 (2008): 245-257.
5.	Robinson, M. Steven Connor Samuel Beckett: Repetition, Theory, and Text Oxford: Blackwell, 1988. x, 222 p. £8.95. ISBN 0-631-1603-1. New theatre quarterly.NTQ. 5.18 (1989): 200-201.
6.	JOHNSON, NICHOLAS E. Language, Multiplicity, Void: The Radical Politics of the Beckettian Subject. Theatre research international 37.1 (2012): 38-48.
7.	Howard, S. Picasso's neoclassic outlines: An archaeology of consciousness. International journal of the classical tradition 2.4 (1996): 560-566.
8.	Walton, S. Jean, S. Jean J. EXTORTING LOVE'S TALE FROM THE BANISHED SON: ORIGINS OF NARRATABILITY IN SAMUEL BECKETT'S "FIRST LOVE". Contemporary literature 29.4, (1988): 549-563.

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Modernism, Science, and Technology [1-4742-3341-4; 1-4742-3345-7] Morrisson, Mark