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2.	Schaafsma, P. Human Images and Blurring Boundaries. The Pueblo Body in Cosmological Context: Rock Art, Murals and Ceremonial Figures. Cambridge archaeological journal. 28.3: 411-431.
3.	The Cambridge Handbook of Copyright in Street Art and Graffiti. , 2019.
4.	Barnett, C. The Death of Graffiti: Postmodernism and the New York City Subway. Studies in popular culture 16.2 (1994): 25-38.
5.	Conway, P. Subway graffiti in New York City. Visible Language 7.4 (1973): 360-362.
6.	Koháková Haakenstad, M. Vizualita národní identity v Mexiku : Odraz kolektivní paměti, či mocenského diskursu? / The Visuality of National Identity in Mexico. Lidé města 17.1 (2015): 3-44.
7.	Bower, B. Murals unveil Maya literary practices: discoveries peg ritual specialists as central to making books. Science news. 187.4: 14-.
8.	Rolston, B. Picturing peace: murals and memory in Colombia. Race & class 58.3 (2017): 23-45.
9.	Rossi, F. Maya codex book production and the politics of expertise: Archaeology of a classic period household at Xultun, Guatemala. American anthropologist 117.1 (2015): 116-132.
10.	Salvadori, B. Performance evaluation of two protective treatments on salt-laden limestones and marble after natural and artificial weathering. Environmental science and pollution research international 21.3 (2013): 1-13.

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The Rise of Legal Graffiti Writing in New York and Beyond [981-10-2799-4; 981-10-2800-1] Kramer, Ronald