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2.	Hamilton, M. THE VOICE OF THE BLUES. History Workshop Journal 54.54 (2002): 123-143.
3.	Radano, D. NARRATING BLACK MUSIC'S PAST. Radical history review 84.84 (2002): 115-118.
4.	Tischler, Barbara L. TOUGH TIMES, GREAT TUNES: URBAN JAZZ AND THE AMERICAN EXPERIENCE. Journal of urban history 27.2 (2001): 217-224.
5.	Nall, H. FROM DOWN SOUTH TO UP SOUTH: AN EXAMINATION OF GEOGRAPHY IN THE BLUES. The Midwest quarterly 42.3 (2001): 306-319.
6.	Martin, Ben L. From Negro to Black to African American: The Power of Names and Naming. Political Science Quarterly 106.1 (1991): 83-107.
7.	Miyakawa, Felicia M. 'Jazz at Night and the Classics in the Morning': musical double-consciousness in short fiction by Langston Hughes. Popular music 24.2: 273-278.
8.	Kenney, P. JAZZ: A BIBLIOGRAPHICAL ESSAY. American studies international 25.1 (1987): 3-27.
9.	Gussow, A. "Where Is the Love?" Racial Violence, Racial Healing, and Blues Communities. Southern cultures 12.4: 33-54.
10.	Griswold del Castillo, R. THE LOS ANGELES "ZOOT SUIT RIOTS" REVISITED: MEXICAN AND LATIN AMERICAN PERSPECTIVES. Mexican studies 16.2 (2000): 367-391.

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Recorded Music in American Life [0-19-510046-8; 0-19-988014-X] Kenney, William