SFX by Ex Libris Inc.

1.	Rodney, Stenning E. Meyerbeer and Ballet Music of the Nineteenth Century: Some Issues of Influence with Reference to "Robert le Diable". Dance chronicle 21.3 (1998): 389-410.
2.	Turnbull, M. Armide: Tragédie lyrique in Five Acts with a Prologue (book-review). Early Music 13.1 (1985): 127-131.
3.	Anthony, James R. The French Opera-Ballet in the Early 18th Century: Problems of Definition and Classification. Journal of the American Musicological Society 18.2 (1965): 197-206.
4.	Harris Warrick, R. From score into sound: questions of scoring in Lully's ballets. (Jean-Baptiste Lully, French Baroque II). Early Music 21.3 (1993): 355-.
5.	Wright, L A. Review: The Cambridge Companion to Grand Opera. The opera quarterly 21.1 (2005): 186-189.
6.	Haggin, H. Music and Ballet Chronicle. The Hudson review 24.3 (1971): 489-498.
7.	Mark, E. Lindoro in Lyon: Rossini's Le Barbier de Séville. Acta musicologica 64.1 (1992): 50-85.
8.	West, Martha Ullman U. Orientalism in Ballet. The chronicle of higher education 54.16 (2007).
9.	Earle, William J. The journal of aesthetics and art criticism 37.1: 3-10.
10.	BRAUN, WILLIAM H. From youth to the sins of old age: the choral music of Rossini. The Choral journal 32.7 (1992): 7-13.

Visa fler…

Visa färre…

The Oxford Illustrated History of Opera [0-19-816282-0; 0-19-158646-3] Parker, Roger