SFX by Ex Libris Inc.

1.	Elam, Harry n. African American Performance and Theater History: A Critical Reader. African American Performance and Theater History : A Critical Reader. , 2001.
2.	Dixon, Kimberly D. Uh Tiny Land Mass Just Outside of My Vocabulary: Expression of Creative Nomadism and Contemporary African American Playwrights. , 2001.
3.	Raiford, L. "Come Let Us Build a New World Together": SNCC and Photography of the Civil Rights Movement. American quarterly 59.4 (2007): 1129-1157.
4.	Allen, D. The Role of the Blues in Gayl Jones's Corregidora. Callaloo 25.1 (2002): 257-273.
5.	Shannon, S. What is a black play? Tales from my theoretical corner. Theatre journal 57.4: 603-605.
6.	Parks, S. New Black Math. Theatre journal 57.4 (2005): 576-583.
7.	Trodd, Zoe e. A Negative Utopia : Protest Memory and the Spatio-Symbolism of Civil Rights Literature and Photography. African American Review 42.1 (2008): 25-40.
8.	Li, S. Love and the Trauma of Resistance in Gayl Jones's "Corregidora". Callaloo 29.1 (2006): 131-150.
9.	AUTHOR SPOTLIGHT Suzan-Lori Parks. Ebony 58.11 (2003): 30-.
10.	Goldberg, Elizabeth Swanson, M. LIVING THE LEGACY: Pain, Desire, and Narrative Time in Gayl Jones' Corregidora. Callaloo 26.2 (2003): 446-472.

Visa fler…

Visa färre…

Feminism and the body. Oxford Readings in Feminism [0-19-873191-4; 0-19-154760-3] Schiebinger, Londa L.