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1.	Harol, C. THE PASSION OF OROONOKO: PASSIVE OBEDIENCE, THE ROYAL SLAVE, AND APHRA BEHN'S BAROQUE REALISM. ELH 79.2 (2012): 447-475.
2.	Molineux, C. False Gifts/Exotic Fictions: Epistemologies of Sovereignty and Assent in Aphra Behn's Oroonoko. ELH 80.2 (2013): 455-488.
3.	Mallipeddi, R. Spectacle, Spectatorship, and Sympathy in Aphra Behn's Oroonoko. Eighteenth-century studies 45.4 (2012): 475-496.
4.	Holmesland, O. Aphra Behn's Oroonoko: Cultural Dialectics and the Novel. ELH 68.1 (2001): 57-79.
5.	Dickson, V. Truth, Wonder, and Exemplarity in Aphra Behn's Oroonoko. Studies in English literature, 1500-1900 47.3 (2007): 573-94.
6.	Sills, A. Surveying 'The Map of Slavery' in Aphra Behn's Oroonoko. Journal of narrative theory 36.3 (2006): 314-340.
7.	Visconsi, E. A Degenerate Race: English Barbarism in Aphra Behn's "Oroonoko" and "The Widow Ranter". ELH 69.3 (2002): 673-701.
8.	Hughes, D. Race, Gender, and Scholarly Practice: Aphra Behn's Oroonoko. Essays in criticism 52.1 (2002): 1-22.
9.	Rivero, Albert J. Aphra Behn's Oroonoko and the `Blank Spaces' of Colonial Fictions. Studies in English literature, 1500-1900 39.3 (1999): 443-462.
10.	BAUM, Rob B. APHRA BEHN’S BLACK BODY: SEX, LIES & NARRATIVITY IN OrOOnOkO. Brno Studies in English 37.2 (2011): 7-29.

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Oroonoko [0-393-97014-0] Behn, Aphra