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1.	Slater, A. Technology and the Rise of the Vernacular Object in William Carlos Williams’sSpring and All. William Carlos Williams review 33.1-2 (2016): 189-205.
2.	Parry, Amie E. Interventions into Modernist Cultures : Poetry from Beyond the Empty Screen.
3.	Patterson, Anita Haya H. Race, American Literature and Transnational Modernisms. RACE, AMERICAN LITERATURE AND TRANSNATIONAL MODERNISMS. : Cambridge University Press,, 2008.
4.	Bradshaw David, D. Global Modernisms. A companion to modernist literature and culture. : Wiley, 2006.: 1-593.
5.	Patke, Rajeev Shridhar S. POSTCOLONIAL POETRY IN ENGLISH. , 2006.
6.	MacLeod, L. Common Places and Commonplace Things: Modernism at Home on an Average Day. Modern fiction studies 56.3 (2010): 614-621.
7.	Brown, R. 'Ghostly Light': Spectres of Modernity in James Joyce's and John Huston's 'The Dead'. A companion to James Joyce /. , 2008.: 19-33.
8.	Siklosi, K. "The absolute / of water": the submarine poetic of M. NourbeSe Philip's Zong! Canadian literature. 2016.228-229: 111-130.
9.	Cureton, R. Readings in Temporal Poetics: Four Poems by William Carlos Williams. Style 51.2 (2017): 187-206.
10.	Edwards Christopher, A. “Then he kissed it with his bumper”: The Autovehicular Posthumanisms of Filippo Tommaso Marinetti and William Carlos Williams. William Carlos Williams review 33.1-2 (2016): 42-62.

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Locations of Literary Modernism: Region and Nation in British and American Modernist Poetry [0-521-78032-2; 0-511-55369-2] Davis, Alex