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1.	Sawa, B. Art is a kind of exhibitionism. New theatre quarterly 6.21 (1990): 64-69.
2.	Sidiropoulou, A. Adaptation, Re-contextualisation, and Metaphor: Auteur Directors and the Staging of Greek Tragedy. Adaptation 8.1 (2015): 31-49.
3.	Zurowski, A. ‘Pulling Faces at the Audience’: the Lonely Theatre of Tadeusz Kantor. New theatre quarterly 1.4 (1985): 364-368.
4.	Schechner, R. A Journey Through Other Spaces: Essays and Manifestos, 1944-1990. The drama review 38.1 (1994): 186-148.
5.	Vervain, C. Performing Ancient Drama in Mask: the Case of Greek Tragedy. NTQ. New theatre quarterly 28.2 (2012): 163-181.
6.	M, K. Tadeusz Kantor's Practice: A Postmodern Notebook. PAJ 82.1 (2006): 20-28.
7.	Kobialka, M. Tadeusz Kantor and Hamed Taheri: Of Political Theatre/Performance. TDR (1988) 53.4 (2009): 78-91.
8.	Gokdag, E. AUGUSTO BOAL’S THE JOKER SYSTEM. Idil Dergisi 3.14 (2014): 27-37.
9.	Michal, K. The Writings of Tadeusz Kantor 1956-1985. The drama review 30.3 (1986): 114-176.
10.	Kobialka, M. Of Last Things in Memento Mori : Silence, eternity and death. Performance research 15.1 (2010): 131-139.

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Encounters with Tadeusz Kantor [0-415-27032-4; 1-136-46613-4] Miklaszewski, Krzysztof