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1.	Cheng, A. Wounded Beauty: An Exploratory Essay on Race, Feminism, and the Aesthetic Question. Tulsa studies in women's literature 19.2: 191-217.
2.	Oster, C. Translating the "behind closed doors mentality" strangeness and discourse of madness in three translations of The Yellow Wallpaper by Charlotte Perkins Gilman. Meta 56.3 (2011): 493-510.
3.	Walther, M. Out of Sight: Toni Morrison's Revision of Beauty. Black American literature forum 24.4: 775-789.
4.	Hall, K. Beauty and the Beast of Whiteness: Teaching Race and Gender. Shakespeare quarterly 47.4 (1996): 461-475.
5.	Frever, Trinna S. "Oh! You Beautiful Doll!": Icon, Image, and Culture in Works by Alvarez, Cisneros, and Morrison. Tulsa studies in women's literature 28.1 (2009): 121-139.
6.	Blumenthal, R. Morrison's The Bluest Eye. The Explicator 65.2 (2007): 117-19.
7.	Rosenberg, R. Seeds in Hard Ground: Black Girlhood in The Bluest Eye. Black American literature forum 21.4 (1987): 435-445.
8.	Hume, Beverly A. MANAGING MADNESS IN GILMAN'S 'THE YELLOW WALL-PAPER.'. Studies in American fiction 30.1: 3-20.
9.	Thrailkill, Jane F. Doctoring "The Yellow Wallpaper". ELH 69.2 (2002): 525-566.
10.	SUESS, BARBARA A. The Writing s on the Wall: Symbolic Orders in The Yellow Wallpaper. Women's studies 32.1 (2003): 79-97.

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