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1.	Omigbule, M. Rethinking African Indigenous Ritual Festivals, Interrogating the Concept of African Ritual Drama. African Studies Quarterly 17.3 (2017): 71-88.
2.	Factors influencing patronage of traditional festivals in Sub-Saharan Africa. International journal of tourism cities. 3.4: 363-381.
3.	The messianic temporality of theatre in I. L. Peretz’s At Night in the Old Marketplace. Journal of modern Jewish studies. 17.3: 361-376.
4.	Du Preez, P. THE TALL TALE OF TALL HORSE: THE ILLUSION (OR MANIFESTATION) OF AFRICAN CULTURAL AND TRADITIONAL AESTHETICS IN HYBRID PERFORMANCES. Themes in theatre 6.6 (2011): 139-470.
5.	Olaniyan, T. Festivals, ritual, and drama in Africa. , 2012.: 35-48.
6.	Macgregor, J. K. K. Some Notes on Nsibidi. The Journal of the Royal Anthropological Institute of Great Britain and Ireland 39 (1909): 209-219.
7.	Gaines, Joseph H. Learning Literacy through the Rhetorical Function of the Drum: The Locus of Sound, Symbolism, and Reflection. The international journal of literacies. 25.1: 27-40.
8.	Sirayi, M. Intrusive hegemonies and localised identities in early South African drama and theatre: 1880 to 1930. South African journal of african languages 35.1 (2015): 131-137.
9.	Dayrell, E. 67. Some "Nsibidi" Signs. Man 10 (1910): 113-114.
10.	Whitford, M. Indigenous Festivals and Community Development: A Sociocultural Analysis of an Australian Indigenous Festival. Event management 17.1 (2013): 49-61.

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Black Theatre: Ritual Performance In The African Diaspora [1-56639-943-2; 1-282-04722-1] Edwards, Gus