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1.	Rodriguez, I. Gender Violence in Failed and Democratic States. , 2016.
2.	Begnal, Michael H. Fellini & Poe: A Story with a Moral? Literature/Film Quarterly 10.2 (1982): 130-133.
3.	Bailey, S. Performance Anxiety in Media Culture. , 2016.
4.	White, S. Alfred Hitchcock and Feminist Film Theory (Yet Again). , 2015.
5.	Harrington, M. 'My Narrative': The Story of the Non-Disinterested Narrator in Poe's 'Hop-Frog'. The Edgar Allan Poe review 5.1 (2004): 91-99.
6.	McWilliams, J. The Marriage of Heaven and Earth: Alchemical Regeneration in the Works of Taylor, Poe, Hawthorne, and Fuller. American literature 74.1 (2002): 143-145.
7.	BOOTH, P. Fellini's La Strada as Transitional Film: The Road From Classical Neorealism to Poetic Realism. Journal of popular culture 44.4 (2011): 704-716.
8.	Hunt, H. The Scarlet Letter: Hawthorne's Theory of Moral Sentiments. Philosophy and literature 8.1 (1984): 75-88.
9.	Kartal, E. Defining Italian Neorealism: A Compulsory Movement. CINEJ cinema journal 2.2 (2013): 140-148.
10.	McCann, Ben n. (Under)Scoring Poetic Realism - Maurice Jaubert and 1930s' French Cinema. Studies in French Cinema 9.1 (2009): 37-48.

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