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2.	Okoye, C. African Theatre and the Performance Turn. New England theatre journal 21 (2010): 117-133.
3.	African Performance Issue: "An Introduction". The drama review 25.4 (1981): 2-2.
4.	Chrissanthos, Stefan G. 'Orisha' and 'Oshun' bring Yoruba in dance to NBT. New York Amsterdam news 92.7 (2001): 23-24.
5.	Armstrong, L. 'Oshun' at the Nuyorican Poets Cafe. New York Amsterdam news 90.10 (1999): 24-.
6.	Lin, Y. The Soul of the Beijing Opera: Theatrical Creativity and Continuity in the Changing World. By Li Ruru. Hong Kong: Hong Kong University Press, 2010. Pp. xvi + 335 +22 illus. $55/£34.49 Hb; $28/£17.56 Pb. Theatre Research International 37.1 (2012): 95-96.
7.	Belcher, Wendy L. Same-Sex Intimacies in the Early African Text Gädlä Wälättä P̣eṭros (1672): Queer Reading an Ethiopian Woman Saint. Research in African literatures 47.2 (2016): 20-45.
8.	Mason, Nicola F. Eastern Kentucky University, Richmond, KY, USA F. The Diversity of African Musics : Zulu Kings, Xhosa Clicks, and Gumboot Dancing in South Africa. General music today 27.2 (2014): 30-35.
9.	Ayuninjam, F. Voices From Africa and Beyond. , 2011.
10.	Peel. Yoruba religion as a global phenomenon.(Orisa Devotion as World Religion: The Globalization of Yoruba Religious Culture)(Book review). Journal of African history 51.1 (2010): 107-108.

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African Drama and Performance [0-253-34439-5; 1-282-07134-3] Conteh-Morgan, John; Olaniyan