SFX by Ex Libris Inc.

1.	Bradley, R. An interview with artist, Pope. L. Women & performance 24.2-3 (2014): 220-223.
2.	Bradley, R. Reinventing Capacity: Black Femininity's Lyrical Surplus and the Cinematic Limits of 12 Years a Slave. Black camera 7.1 (2015): 162-178.
3.	Bradley, R. Introduction: other sensualities. Women & performance 24.2-3 (2014): 129-133.
4.	Bradley, R. Awakening to the World: Relation, Totality, and Writing from Below. Discourse 36.1 (2014): 112-131.
5.	El Mousfy, S. Cultural Exchange and Urban Appropriation: Spaces for Art in Sharjah's Historical Centre. Architectural design 85.1 (2015): 28-37.
6.	Pérez Rosario, Vanessa P. Solidarity Across Borders: An Interview with Artist Andrea Arroyo. Meridians 11.2 (2011): 91-111.
7.	Bradley, R. Transferred Flesh : Reflections on Senga Nengudi’s R.S.V.P. TDR 59.1 (2015): 161-166.
8.	Brown, Kimberly J. At the Center of the Periphery: Gender, Landscape, and Architecture in 12 Years a Slave. The global South. 11.1: 121-135.
9.	Tillet, S. "I Got No Comfort in This Life": The Increasing Importance of Patsey in 12 Years a Slave. American literary history 26.2 (2014): 354-361.
10.	Ernest, J. (Re)Mediated History: 12 Years a Slave. American literary history 26.2 (2014): 367-373.

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Black Performance Theory [0-8223-5607-4; 0-8223-7701-2] DeFrantz, Thomas F.