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1.	Williams, L. Why I Did Not Want to Write This Essay. Signs 30.1 (2004): 1264-1272.
2.	Paszkiewicz, K. Final Girls, Feminism and Popular Culture. Final Girls, Feminism and Popular Culture. : Palgrave Macmillan,, 2020.
3.	Jancovich, M. Linda Williams, When the Woman Looks. : Routledge,, 2002.: 69-74.
4.	Jones, Stacy H. Handbook of Autoethnography. : Taylor & Francis Ltd.
5.	Sharp, Patrick B. Book reviews. Science Fiction Film and Television 3.2 (2010): 309-324.
6.	Best, S. Witnessing and Untimely Images: Anne Ferran's ‘Lost to Worlds’. History of Photography 36.3 (2012): 326-336.
7.	Shimizu, Celine Parrenas P. Sex Acts: Two Meditations on Race and Sexuality. Signs 30.1 (2004): 1385-1402.
8.	Complex Female Agency, the "Final Girl" trope, and the Subversion and Reaffirmation of Patriarchy: The Cases of Western & MENA Horror Films. Journal of international women's studies. 24.3: 1-11.
9.	Weaver, Angela D. Embodying the Moral Code? Thirty Years of Final Girls in Slasher Films. Psychology of popular media culture 4.1 (2013): 31-41422160.
10.	Csicsery-Ronay, Istvan, Jr. The seven beauties of science fiction. American literature : a journal of literary history, criticism and bibliography. 84.3: 677-.

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Genre, Authorship and Contemporary Women Filmmakers [1-4744-2526-7; 1-4744-4963-8] Paszkiewicz, Katarzyna