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1.	Kane, B. Phenomenology, Physiognomy, and the “Radio Voice”. New German critique : NGC. 43.3: 91-112.
2.	Kane, B. Jean-Luc Nancy and the Listening Subject. Contemporary music review 31.5 (2012): 439-447.
3.	Kane, B. Jazz, Mediation, Ontology. Contemporary music review. 37.5-6: 1-22.
4.	Janus, A. Listening: Jean-Luc Nancy and the "Anti-Ocular" Turn in Continental Philosophy and Critical Theory. Comparative Literature 63.2 (2011): 182-202.
5.	Grant, R. Reviews: "Listening," by Jean-Luc Nancy. Journal of the American Musicological Society 62.3 (2009): 748-752.
6.	Gritten, A. The Subject (of) Listening. The Journal of the British Society for Phenomenology 45.3 (2014): 203-219.
7.	McMahon, L. Jean-Luc Nancy and the spacing of the world. Contemporary French and francophone studies 15.5 (2011): 623-9.
8.	Peritz, Jessica G. The Female Sublime: Domesticating Luigia Todi’s Voice. Journal of the American musicological society. 74.2: 235-288.
9.	Experiencing innovative biomaterials for buildings: Potentialities of mosses. Building and environment. 172: 106708-.
10.	Kane, B. Musicophobia, or Sound Art and the Demands of Art Theory. nonsite.org .8 (2012).

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Twentieth Century Music [1478-5722] KANE, BRIAN vol:14 iss:1 sidor:65 -75