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1.	CITRON, MARCIA J. J. Gender, Professionalism and the Musical Canon. The Journal of musicology 8.1 (1990): 102-117.
2.	Kertesz, E. Ethel Smyth’s The Wreckers: a cosmopolitan voice for English opera. Studia Musicologica 52.1-4 (2011): 485-497.
3.	Citron, Marcia J. Felix Mendelssohn's influence on Fanny Mendelssohn Hensel as a professional composer. Current Musicology 37-38.37-38 (1984): 9-17.
4.	Kertesz, E. Ethel Smyth's The wreckers: A cosmopolitan voice for English opera. Studia musicologica 52.1-4 (2011): 485-497.
5.	Hallmark, R. The Ruckert Lieder of Robert and Clara Schumann. 19th-century music 14.1 (1990): 3-3.
6.	Wood, Elizabeth, E. Performing rights: A sonography of women's suffrage. The Musical quarterly 79.4 (1995): 606-643.
7.	Cusick, Suzanne G. Feminist Theory, Music Theory, and the Mind/Body Problem. Perspectives of new music 32.1 (1994): 8-27.
8.	Citron, Marcia J. J. WOMEN AND THE WESTERN ART CANON: WHERE ARE WE NOW? Notes 64.2 (2007): 209-215.
9.	Reich, Nancy B. : The Letters of Fanny Hensel to Felix Mendelssohn . Marcia J. Citron, Fanny Hensel. 19th Century Music 13.1 (1989): 67-72.
10.	Nash, Margaret A. A Means of Honorable Support: Art and Music in Women's Education in the Mid-Nineteenth Century. History of education quarterly 53.1 (2013): 45-63.

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Fanny Hensel [0-19-518080-1; 0-19-988452-8] Todd, R. Larry