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1.	Powell, ed., A. Teaching the New English. Teaching the Gothic. , 2006.: 93-106.
2.	Harbin, L. A Dangerous Woman and a Man's Brain: Mina Harker, Clarice Starling and the Empowerment of the Gothic Heroine in Novel and Film. Philological papers 49: 30-37.
3.	Freud, S. Method of dream interpretation: The analysis of a sample dream. The interpretation of dreams. : Penguin, 1999.: 871-871.
4.	Purinton, M. Mary Shelley's science fiction short stories and the legacy of Wollstonecraft's feminism. Women's studies 30.2 (2001): 147-174.
5.	Smith, Andrew, A. The Female Gothic: Then and Now. Gothic studies 6.1 (2004): 1-7.
6.	Freud, S. The Interpretation of Dreams. The Interpretation of Dreams (3rd edition). , 1932.
7.	Prescott, C. Vampiric Affinities: Mina Harker and the Paradox of Femininity in Bram Stoker's Dracula. Victorian literature and culture 33.2 (2005): 487-515.
8.	Wyman, Leah M. Transcending The Virgin/Whore Dichotomy: Telling Mina's Story in Bram Stoker's Dracula. Women's studies in communication 23.2: 209-237.
9.	Freud, S. The dream is the fulfilment of a wish. : Oxford University Press,.: 103-112.
10.	Fitzgerald, L. Female Gothic and the Institutionalization of Gothic Studies. Gothic studies 6.1 (2004): 8-18.

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