SFX by Ex Libris Inc.

1.	Telotte, Jay P. P. “Better Than Real”: - Digital Disney, Pixar, and Beyond. , 2008.
2.	Bouveresse, J. Why I am so very unFrench and other essays. : Collège de France,, 2013.
3.	Lawless, K. Constructing the ‘other’: construction of Russian identity in the discourse of James Bond films. Journal of multicultural discourses 9.2 (2014): 1-19.
4.	Evangelista, Stefano E. The Arts in Victorian Literature [Special Issue]. Yearbook of English studies 40.1-2 (2010).
5.	Knowles, O. Oxford reader's companion to Conrad. , 2001.: 1-478.
6.	Watts, C. Conrad's Heart of Darkness : A Critical and Contextual Discussion. , 2011.
7.	Dodds, K. Screening Geopolitics: James Bond and the Early Cold War films (1962–1967). Geopolitics 10.2 (2005): 266-289.
8.	DODDS, K. Licensed to Stereotype: Geopolitics, James Bond and the Spectre of Balkanism. Geopolitics 8.2 (2003): 125-156.
9.	Une épistémologie réaliste est-elle possible ? Une épistémologie réaliste est-elle possible ? : Collège de France.
10.	Livesey, R. : Cambridge University Press,, 2014.: 261-269.

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People Passing Rude : British Responses to Russian Culture [1-909254-11-8; 1-909254-13-4] Cross, Anthony