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1.	Rosenberg, T. Don’t Be Quiet, Start a Riot! Essays on Feminism and Performance. , 2016.
2.	Christiansen, A. Cultural Hybridity, Gender, and Identity: A Pacific Islander Woman in the Academy. Frontiers 21.3: 187-196.
3.	Paulus, D. It's All about the Audience. Contemporary Theatre Review 16.3 (2006): 334-347.
4.	Yates Smith, A. 'Reclaiming the Ancient Feminine in Maori Society.' 'Kei wareware i a tatou te Ukaipo!'. He Puna Korero: Journal of Maori and Pacific Development 4.1 (2003): 10-19.
5.	Gershon, I. Viewing Diasporas from the Pacific : What Pacific Ethnographies Offer Pacific Diaspora Studies. The Contemporary Pacific 19.2 (2007): 474-502.
6.	McAuley, G. Place in the performance experience. Modern drama 46.4 (2003): 598-613.
7.	Wolf, S. "We'll Always Be Bosom Buddies": Female Duets and the Queering of Broadway Musical Theater. GLQ 12.3 (2006): 351-376.
8.	Bartlett, Nancy H. A Retrospective Study of Childhood Gender-Atypical Behavior in Samoan Fa’afafine. Archives of Sexual Behavior 35.6 (2006): 659-66.
9.	Bennett, S. THEATRE AUDIENCES, REDUX. Theatre survey 47.2 (2006): 225-230.
10.	Geiger, J. Imagined Islands: White Shadows in the South Seas and Cultural Ambivalence. Cinema journal 41.3 (2002): 98-121.

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Platonic Occasions: Dialogues on Literature, Art and Culture [91-7635-000-2; 91-7635-003-7] Begam, Richard