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1.	Gurnham, D. ‘Hell has no flames, only windows that won’t open’: justice as escape in law and literature. Law and humanities 13.2 (2019): 269-293.
2.	Nussbaum, Martha C. Introduction: Aspiration and the Capabilities List. Journal of human development and capabilities 17.3 (2016): 1-8.
3.	Wyman, S. Reading Through Fictions in Ursula Le Guin's "The Ones Who Walk Away from Omelas". ANQ 25.4 (2012): 228-232.
4.	Grodal, T. Crime Fiction and Moral Emotions: How Context Lures the Moral Attitudes of Viewers and Readers. Northern lights 9.1 (2011): 143-157.
5.	Brandt, Bruce E. Two Additional Antecedents for Ursula Le Guin's "The Ones Who Walk Away from Omelas.". ANQ 16.3 (2003): 51-6.
6.	Mamola, G. Walking Towards Elfland: Fantasy and Utopia in Ursula K. Le Guin's "The Ones Who Walk Away from Omelas". Extrapolation. 59.2: 149-162.
7.	Brandt, Bruce E. Two Additional Antecedents for Ursula Le Guin's “The Ones Who Walk Away from Omelas”. ANQ 16.3 (2003): 51-56.
8.	Simon, L. William James's Lost Souls in Ursula Le Guin's Utopia. Philosophy and literature 28.1 (2004): 89-102.
9.	Thompson, S. Tentative Utopias. Journal for the psychoanalysis of culture & society 10.3 (2005): 269-285.
10.	Grodal, Torben h. EMBODIED VISIONS: EVOLUTION, EMOTION, CULTURE, AND FILM. : Oxford University Press, 2009.: 1-352.

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Fatal Fictions [0-19-061078-6; 0-19-065034-6]